Six unlikely but brave kids fall into the way of a vast and terrible paranormal malevolence that has entered our realm from the farthest reaches of oblivion. They must spend their lifetimes fighting it, enduring one nightmare after another in the process.
This outlines the narrative, roughly, of the master of horror’s iconic book It (his best; no debate). It is also the plot of the celebrated author’s heir Joseph Hillstrom King’s recent horror doorstopper, in which six friends call forth the primordial, infinitely malicious dragon the Dragon King from the Abyssal Void to aid them in overcoming some villains. Unsurprisingly, their supernatural ritual goes awry.
Joseph Hillström King started his career striving diligently to avoid any connection from his well-known dad, using the pseudonym he still uses today and steering clear of encounters with his agent (he bears a strong similarity to his father). However, in his newest work, he leans into it. Certain passages that intentionally mirror some of King’s most famous (“The man in black fled across the desert …”); a incident that brings to mind a King plot point (a battle of wits). Throughout this massive book, Joe Hill takes pleasure in his family connection, and the audience revels alongside.
Back to those friends: five of them are pupils at the fictional Rackham College in this northeastern locale. First is Arthur, bookish and intelligent, cracking historical enigmas in his free moments; the character Colin, affluent, clever, and inclined to bulldoze anyone who stands in his way; Donna and Donovan; the beautiful Allie. Then we have Gwen, who doesn’t study with them, but becomes a key part of their band as they dabble, partly convinced, partly skeptical, in supernatural practices.
The protagonist finds himself, for reasons we don’t need to go into, obliged to take prized manuscripts from his cherished academic collection by a set of regional villains. This tears at his bookish heart, especially when he’s made to take the institution’s prized and unsettling publication: the logbook of occultist this enigmatic character (condemned “for dealing with infernal entities in 1703”; the cover is fashioned from his hide). The intrepid group examine the log, learn they can invoke what the author references as a “arrogant beast to aid our hero with his extortion dilemma – and devote the remaining story reaping the consequences. King Sorrow will undoubtedly remove those problematic neighborhood criminals, but they are required to pick a new sacrifice annually or succumb to the dragon’s wrath. As Arthur later puts it: “You plant seeds of destruction, all you get is further monstrosities.”
Moving through four decades, the author shifts with natural fluency across narrative styles: as the friends attempt to deal with the circumstances they find themselves in by, variously, choosing undeniably wicked targets to offer up, or hunting down ways to slay the beast themselves, we transition from thriller to shadowy tale, covert operations to affectionate subplot to fright. A standout transition was to a quest story, far beneath the surface beneath this UK region, a part sprinkled with the fantasy maestro that was gloriously terrifying.
We encounter trolls – bridge-dwelling ones and online ones, properly scary and perfectly brought to life. The story includes mystic weapons and deceptions, breath-taking moments of bravery and instances of dreadful evil, both earthly and extraterrestrial. This is a remarkable achievement: a horror novel that is chiefly a paean to the human inventiveness, and to love and friendship. “We needed a story to believe and {now we’ve got one|presently we possess it|currently we hold it,” says this character as the companions gather at the table, getting ready to invoke their dragon into being with the power of their thoughts.
According to Joe Hill in his introductory quote: “This is dragon territory”. Ensure you experience it.
Mira is a tech journalist and AI researcher with over a decade of experience covering emerging technologies and their societal impacts.